In a speech delivered in 1794, roughly one year after the execution of Louis XVI, Robespierre boldly declared Terror to be an 'emanation of virtue'. In adapting the concept of virtue to Republican ends, Robespierre was drawing on traditions associated with ancient Greece and Rome. But Republican tradition formed only one of many strands in debates concerning virtue in France and elsewhere in Europe, from 1680 to the Revolution. This collection focuses on moral-philosophical and classical-republican uses of 'virtue' in this period - one that is often associated with a 'crisis of the European mind'. It also considers in what ways debates concerning virtue involved gendered perspectives. The texts discussed are drawn from a range of genres, from plays and novels to treatises, memoirs, and libertine literature. They include texts by authors such as Diderot, Laclos, and Madame de Stael, plus other, lesser-known texts that broaden the volume's perspective. Collectively, the contributors to the volume highlight the central importance of virtue for an understanding of an era in which, as Daniel Brewer argues in the closing chapter, 'the political could not be thought outside its moral dimension, and morality could not be separated from inevitable political consequences'.

In the age of Enlightenment the concept of night evolved from being a time of dread to a time for pleasure. Between the start of the Regence (1715-1723) and the French Revolution the nocturnal and the erotic became intrinsically connected: shadows and darkness were reconfigured as the object of the philosophes' fascination, while night was increasingly experienced as the realm of the self. Nowhere is this paradigmatic shift better recorded than in French libertine literature of the long eighteenth century. Marine Ganofsky delves into the night scenes of libertine fiction to analyse how the idea of night was reimagined and represented by writers ranging from Crebillon to Sade. Her original analysis of erotic encounters in pornographic novels, gallant stories and sensual fairy tales reveals how they capture the period's emancipation from superstitions and traditions. The nocturnal settings of these libertine narratives were the primary means of staging men and women's hitherto hidden sexual encounters and innermost fantasies, and ultimately illustrate the conquest of night-time terrors in favour of social encounters and amorous intimacy. Libertine nocturnal scenes reflect above all the Enlightenment's re-invention of shadows less as an obstacle than an incentive to discover the mysteries they harbour. Through her innovative research Marine Ganofsky presents the erotic nights of libertine fiction as a sign that the siecle des Lumieres, free to enjoy the charms to be found in, or under, the cover of darkness, was also the siecle de la nuit.

Candide, or the Optimist is Voltaire's hilarious and deeply scathing satire on the Age of Enlightenment. Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by Dr Marine Ganofsky. Young nobleman Candide lives a sheltered and comfortable life under the tutorship of the ridiculous Dr Pangloss who espouses the prevailing 18th-century philosophy of Optimism. Following an indiscretion, Candide is cast out into the world which according to Pangloss is 'the best of all possible worlds'. But this is not so, Candide and his companions encounter nothing but ludicrous calamities in their madcap travels around the world - war crimes, earthquakes, inquisitions and chain gangs - all based with horrible closeness on real events of the 18th century. Voltaire's searing critique of church, state and human nature was a bestseller from the moment it was published.

La France est une nation legere - ce lieu commun antique est abondamment repris tout au long du XVIIIe siecle, temoignant de profonds bouleversements axiologiques, scientifiques et ethiques, dont ce volume collectif cherche a mesurer l'importance et les enjeux, en racontant l'histoire d'un autre siecle des Lumieres : celle d'un siecle de la Legerete. Propre aux representations que le XVIIIe siecle francais construit de lui-meme, tant par rapport aux siecles qui l'ont precede que dans une logique de parallele entre les nations europeennes, la legerete du XVIIIe siecle est un important paradigme de l'historiographie qui s'est constituee sitot apres la Revolution. Les heritiers du XVIIIe siecle ne reconnaissent pas seulement en lui l'age de la raison et du progres, des Lumieres et des droits du citoyen, mais eprouvent aussi tantot du mepris, tantot de la nostalgie pour la pretendue legerete de ses moeurs, la futilite de ses gouts ou la frivolite de ses enfantillages. Entre la bourgeoisie industrieuse du XIXe siecle tirant profit des representations voluptueuses des fetes galantes et l'interet de notre epoque celebrant l'aimable frivolite du siecle de Marie-Antoinette, le XVIIIe siecle en sa legerete n'a jamais cesse de seduire certes, mais aussi de questionner le recit progressiste de la raison et de l'utilite dans la definition des valeurs qui fondent notre communaute. Aussi importe-t-il d'interroger les conceptions et les valeurs qui sont associees a la notion de legerete au XVIIIe siecle, de maniere a mieux comprendre dans quelle mesure elle a pu etre associee a la fois au caractere de la nation francaise en general et au XVIIIe siecle en particulier. --- The age-old cliche that France is a light-hearted nation is echoed repeatedly throughout the eighteenth century and bears witness to the deep axiological, scientific and ethical upheavals which this volume explores. By analysing the importance of, and issues at stake in, these transformations, the articles gathered here tell the story of another age of Enlightenment: the story of an age of lightness. Lightness is at the crux of how the French eighteenth century represents itself both in contrast with previous centuries and through parallels between European nations. The concept of lightness therefore constitutes an essential paradigm of the historiography that developed immediately after the French Revolution. The intellectual heirs of the eighteenth century do not only find in this period an age of reason, progress, Enlightenment and citizens' rights; they also feel, at times, contempt, at other times, nostalgia for the alleged lightness of its mores, the futility of its taste or the frivolity of its childish ways. Between the industrious bourgeoisie of the 19th century exploiting the voluptuous representations of fetes galantes and the fascination of our own 21st century for the delightful frivolity of Marie-Antoinette's era, the 18th century in its lightness has never lost its charm. Yet, crucially, it also challenges the progressive narrative of the history of reason and usefulness in the definition of the very values on which our community is built. It is therefore essential to analyse the concepts and values associated to the notion of lightness in the 18th century. Such an approach yields breakthroughs in understanding why, and to what extent, this idea of lightness has been related to the French national character in general as well as, more particularly, to its 18th century.